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The first edition of May's Short Story Theories (1976) opened with an essay entitled "The Short Story: An Underrated Art." Almost two decades later, the short story suffers no such slight. Publishers and critics have become increasingly interested in the form, which has enjoyed a renaissance led by such writers as Raymond Carver, Tobias Wolff, Ann Beattie, Bobbie Ann Mason, and Mary Robison. An important part of this revival of interest, Short Story Theories has continued to attract a strong and loyal audience among students and teachers. The New Short Story Theories includes a few basic pieces from the earlier volume-Poe's Hawthorne review, Brander Matthew's extension and formalization of Poe's theories, and essays by Randall Jarrell, Elizabeth Bowen, and Nadine Gordimer-but most of the essays are new to the collection. Addressing problems of definition, historical considerations, issues of technique, and cognitive approaches, essays include: "The Tale as Genre in Short Story Fiction," by W. S. Penn "O. Henry and the Theory of the Short Story," by Suzanne C. Ferguson "On Writing," by Raymond Carver "From Tale to Short Story," by Robert F. Marler "A Cognitive Approach to Storyness," by Susan Lohafer May's new collection will continue to highlight the short story, to provoke debate, and to enrich our experience of a demanding and rewarding literary form.
- Sales Rank: #396770 in Books
- Brand: Brand: Ohio University Press
- Published on: 1994-07-15
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .82" w x 5.98" l, 1.30 pounds
- Binding: Paperback
- 364 pages
- Used Book in Good Condition
Review
"This 'second edition' of May's 1976 Short Story Theories is actually eighty percent new... May argues that the sort story has experienced a 'renaissance' in the last decade, as a new generation of writers has found it an appropriate form for their talents and as more critics have devoted themselves to its serious study."� --American Literature
"One of the most intriguing uses for this book in my view, is the possibility of organizing a course around it, testing theories against specific stories here analyzed with tantalizing insight
From the Back Cover
The first edition of May's Short Story Theories (1976) opened with an essay entitled, "The Short Story: An Underrated Art". Almost two decades later, the short story suffers no such slight. Publishers and critics have become increasingly interested in the form, which has enjoyed a renaissance led by such writers as Raymond Carver, Tobias Wolff, Ann Beattie, Bobbie Ann Mason, and Mary Robison. An important part of this revival of interest, Short Story Theories has continued to attract a strong and loyal audience among students and teachers. The New Short Story Theories includes a few basic pieces from the earlier volume - Poe's Hawthorne review, Brander Matthew's extension and formalization of Poe's theories, and essays by Randall Jarrell, Elizabeth Bowen, and Nadine Gordimer - but most of the essays are new to the collection.
Most helpful customer reviews
15 of 16 people found the following review helpful.
For understanding, not writing, short stories
By Jeff Birkenstein
In short (pun intended), this is one of the two or three best books out there on the theory of short story (see also _Short Story Theory at a Crossroads_ ed. by Lohafer and Clarey).
There are countless books out there for helping you craft your own short fiction. This book is not for that, nor does it make any claims to this purpose.
Instead, it is an excellent, critical look at the history and current state of the genre of the short story. If this is at all your interest, you must have this book.
Please disregard John Jr's review, for it is "almost useless" as far as this book is concerned.
14 of 15 people found the following review helpful.
Great book, but difficult
By A Customer
John Jr (below) obviously has a little chip on his shoulder about writing theory and probably about academia.
No, this is not a how-to book filled with exercises and tips and explanations of different techniques. It is a book for the advanced student or writer, and discusses issues involved with the short story, placing the form in assorted contexts and dissecting it from those positions. It is not easy reading, but neither is it impregnable to the thoughtful reader. It will not tell you how to write short stories, but it will provide you with intelligent ways of thinking about them, and hence, being more disciplined and perhaps original in your work.
4 of 7 people found the following review helpful.
Perhaps the bible of short story theory
By Fl�vio
It's the best book for researchers on short story theory. Charles E. May is a clever editor and a great writer. His articles are deep and clear. His editting shows a careful selection of articles which obey a logical sequence being all intertwined and interconnected. I do recommend the book for undergraduate students of literature as well as for graduate students.
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