Selasa, 28 September 2010

[C943.Ebook] Free PDF Geology in the Field, by Robert R. Compton

Free PDF Geology in the Field, by Robert R. Compton

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Geology in the Field, by Robert R. Compton

Geology in the Field, by Robert R. Compton



Geology in the Field, by Robert R. Compton

Free PDF Geology in the Field, by Robert R. Compton

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Geology in the Field, by Robert R. Compton

Replaces Compton's Manual of Field Geology (1962). A guide to advances in the increasingly broad and interpretive discipline of formation mapping theory. Thorough, yet compact enough for use in the field, it consists of brief descriptions of textures and structures useful in interpreting depositional environments, kinds of volcanic activity, and plutonic events and conditions. Included are procedures often reserved for the laboratory or office: staining rocks, correcting orientations of current indicators, constructing profile sections of folds, measuring strains, making photogeologic interpretations, and more. Covers pre-field considerations, methods of observation and measurement, recognition of key geologic features, and preparation of a report. Illustrated with composite drawings. Fourteen appendixes provide systemized data and procedures.

  • Sales Rank: #302133 in Books
  • Published on: 1985-07
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.52" h x .96" w x 5.79" l, 1.25 pounds
  • Binding: Hardcover
  • 416 pages

From the Publisher
Replaces Compton's Manual of Field Geology (1962). A guide to advances in the increasingly broad and interpretive discipline of formation mapping theory. Thorough, yet compact enough for use in the field, it consists of brief descriptions of textures and structures useful in interpreting depositional environments, kinds of volcanic activity, and plutonic events and conditions. Included are procedures often reserved for the laboratory or office: staining rocks, correcting orientations of current indicators, constructing profile sections of folds, measuring strains, making photogeologic interpretations, and more. Covers pre-field considerations, methods of observation and measurement, recognition of key geologic features, and preparation of a report. Illustrated with composite drawings. Fourteen appendixes provide systemized data and procedures.

Most helpful customer reviews

20 of 20 people found the following review helpful.
Still the BEST one volume field manual around.
By David Dathe
Compton's text is one of those it seems that every geologist has read at some point. Clear, concise and practical, the text covers all the basics of field geology. The text is in three basic parts: Chapters 1-8 cover doing field work, e.g., equipment needed, basic procedures at outcrops, mapping rock units, geologic mapping, use of aerial photos, and mapping with a plane table and alidade. Chapters 9-15 cover describing the basic rock types (sedimentary, igneous and metamorphic) as well as volcanic structures and plutons. I remember well almost memorizing the chapter on Stratigraphic Sections as an undergraduate. The final part of the book is the appendices which contain much valuable information such as percentage diagrams for estimating rock compositions by volume and a table of standard lithologic symbols. I carry photocopies of several of the appendices in my field notebook for reference. (They are lighter than the AGI Data Sheets and on some trips weight is critical.) Use of the book will clearly be dictated by the type of field work one does, however, the entire text is a wealth of information. The book only shows its age (1985) with omission of a couple of important developments in field geology such as GPS, now often used in field reports. However, this is only a minor complaint. Field geology is done in the field, but Compton's manual will give every geologist the necessary information to begin the adventure. And mastering the basics in "Geology in the Field" will provide a solid foundation on which to build all of our individual, personal quirks and habits we seem to evolve while at the outcrops.

0 of 0 people found the following review helpful.
Three Stars
By Bradford Phillips
Too technical.not practical

0 of 0 people found the following review helpful.
Has everything an aspiring geologist needs
By Mark
This book was used for Michigan Tech's Field Geology course and was very helpful for everything from the symbols used for geological features to correct field note taking. I have a hard cover which is much more durible than the paperback. I don't know if they still have the hard cover but I would recommend that first.

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Senin, 27 September 2010

[P708.Ebook] Ebook Tiny Beautiful Things: Advice on Love and Life from Dear Sugar, by Cheryl Strayed

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Tiny Beautiful Things: Advice on Love and Life from Dear Sugar, by Cheryl Strayed

Tiny Beautiful Things: Advice on Love and Life from Dear Sugar, by Cheryl Strayed



Tiny Beautiful Things: Advice on Love and Life from Dear Sugar, by Cheryl Strayed

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Tiny Beautiful Things: Advice on Love and Life from Dear Sugar, by Cheryl Strayed

This bestselling book from the author of Wild�collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor, insight, compassion—and absolute honesty—this book�is a balm for everything life throws our way.

Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.

  • Sales Rank: #1568 in Books
  • Brand: Vintage
  • Published on: 2012-07-10
  • Released on: 2012-07-10
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.20" l, .60 pounds
  • Binding: Paperback
  • 368 pages
Features
  • Tiny Beautiful Things: Advice on Love and Life from Dear Sugar

Review
“Penning an advice column for the literary website The Rumpus, [Strayed] worked anonymously, using the pen name Sugar, replying to letters from readings suffering everything from loveless marriages to abusive, drug-addicted brothers to disfiguring illnesses. The result: intimate, in-depth essays that not only took the letter writer’s life into account but also Strayed’s. Collected in a book, they make for riveting, emotionally charged reading (translation: be prepared to bawl) that leaves you significantly wiser for the experience. . . . Moving. . . . compassionate.”�—Leigh Newman,�Oprah.com�

“A fascinating blend of memoir and self-help. Strayed is an eloquent storyteller, and her clear-eyed prose offers a bracing empathy absent from most self-help blather.” —Nora Krug, The Washington Post�

“Strayed’s worldview—her empathy, her nonjudgment, her belief in the fundamental logic of people’s emotions and experiences despite occasional evidence to the contrary—begins to seep into readers’ consciousness in such a way that they can apply her generosity of spirit to their own and, for a few hours at least, become better people. . . . The book’s disclosures—on the part of both the writer and her correspondents—is ultimately courageous and engaging stuff.”�—Anna Holmes, New York Times Book Review�

“Wise and compassionate.”�—Gregory Cowles, New York Times Book Review “Inside the List”�
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“It seems inadequate to call ‘Dear Sugar’ an advice column, because it exists in a category all its own . . . Part memoir, part essay collection, the aptly titled Tiny Beautiful Things gathers together stunningly written pieces on everything from sex to love to the agonies of bereavement. Strayed offers insights as exquisitely phrased as they are powerful, confronting some of the biggest and most painful of life’s questions. . . . . In her responses, Strayed shines a torch of insight and comfort into the darkness of these people’s lives, cutting to the heart of what it means to love, to grieve and to suffer.”� —Ilana Teitelbaum, Shelf Awareness�

“What makes a great advice columnist? . . . Strayed has proved during her tenure at the website the Rumpus, where she has helmed the Dear Sugar column since 2010, that the only requirement is that you give great advice—tender, frank, uplifting and unrelenting. Strayed’s columns, now collected as Tiny Beautiful Things, advise people on such diverse struggles as miscarriage, infidelity, poverty and addiction, and it's really hard to think of anyone better at the�job. Strayed has succeeded largely because she shares personal, often heartbreaking stories from her own life in answering readers' questions. Her experiences are qualifications, in a sense, as Strayed has taken the wisdom she gained from personal tragedies, including her mother's early death and the breakup of her first marriage, and generously applied it to all manner of issues. . . . What runs through all the columns, which range from a few hundred to a few thousand words in length, is Strayed’s gift at panning out from the problem in question. Often, the fuller picture that Strayed gives us illustrates what needs to happen for the letter-writers to change, to pull themselves out of their current predicament, to see things in a different way, to�act. . . . Here is Strayed’s breathtaking ability to get to the core of her own failures and triumphs, which she often does through surprising and sharp imagery. . . . Strayed has covered much ground in these transformative pieces. In the end, Tiny Beautiful Things serves as a guide for anyone who is lost, and those who only think they might�be.” —Liz Colville, San Francisco Chronicle�

“As Sugar, Strayed addresses questions about love, family, addition, grief, abuse, afflictions, fears, friends, gossip, among other topics—and in each of her answers, without fail, she meets the letter writers with a kind of startling compassion; what Steve Almond termed ‘radical empathy.’ Dear Sugar is an advice column like no other.” —Nika Knight, Full Stop�

“It is very rarely that I am a ridiculous fangirl about anything. It’s so emotionally taxing, so inherently undignified, that I try not to fall into the trap. So it took me by surprise when, upon discovering Dear Sugar at the Rumpus, I gradually fell down the rabbit hole into ridiculous fangirlishness for the first time in years. [Strayed took me to] the edge of the dark wood, staring into the place where the most wrenching and lovely truths reside. A place to lose your heart and find it again. If there is a common thread that unites the columns, it’s work. Sugar doesn’t tolerate laziness: doing the work to reach one’s full potential, to write that novel, to exorcise ghosts, to let go of resentments and jealousy and commit instead to generosity and love—all of these are sacred, lifelong tasks for which there are no shortcuts. The columns are a gift, and so too is the book. As Sugar herself bids in her column of the same name, I've written this now on the eve of her book’s publication with one intent: to say thank you.” —Ilana Teitelbaum, The Huffington Post�

“Typically an advice column might not be the first thing to come to mind when considering examples of fearless first-person writing. But Cheryl’s Dear Sugar column is a major exception in that way. In the majority of her column entries, she boldly delves into her own life, to places where she’s had to overcome obstacles similar to those her letter-writers have experienced. Her understanding and compassion are real and hard won, rooted in her own experiences. And so is her sometimes butt-kicking advice. ‘If I was able to do this,’ she seems to be saying, ‘so can you, sweet pea. Now get off your ass and do it.’ The stakes may have seemed lower when she was writing the column anonymously. But Cheryl says she always knew she’d eventually reveal herself—which she did in April. Now many of her best Dear Sugar columns have been gathered into Tiny Beautiful Things, a collection that goes on sale this week (and is available through The Rumpus). Her name is on it; the revelations, the fearless admissions are hers. And I’m awed.”�—Sari Botton, The Rumpus�

“Sugar didn’t pen a few plucky paragraphs about how to pick yourself up by your socks and move on from whatever horrors befell you—in many cases Sugar’s letters were heart-rending exhumations of her own past in search of parallels to the advice-seeker’s situation. She didn’t shy from plumbing her own failings, flaws, and troubles. But in the end, Sugar’s columns are about heart and love. Not saccharine, treacly love that comes from greeting cards, but the gritty, painful, sometimes mundane work it takes to love yourself, warts and all. Tiny Beautiful Things isn’t really a compilation of her advice columns. More, it’s a series of essays about life in all its grimy, unpleasant heartache, and a plea to rise above it to love truthfully and deeply and well, despite all our handicaps. Sugar navigates the path through the treacherous human psyche as a shining beacon before us, flickering in the dark. . . .� [She] gives her best, even when she’s tired. . . . I’m glad that the world is learning about all the love that Sugar has to give.” —Quenby Moone, The Nervous Breakdown

“Strong, smart and self-assured: those qualities are in full power in [Tiny Beautiful Things]. Strayed doesn’t just give good advice. People write in with the most wrenching personal problems, and receive generous, seriously motivating inspiration to move on and do better. . . . Dear Sugar is a rare hideout from the prevailing meanness of the Internet. She calls her readers Sweet Peas, shares stunningly intimate stories about her life, and writes with true warmth and kindness. And it’s not an act. . . . Strayed aims to help not just the people whose letters she answers, but the wider audience who reads the exchanges. Her responses are direct and personal, but peppered with universal messages that cut to the heart.” —Amy Goetzman, MinnPost

“Why do we read memoirs? Some choose autobiographies to better understand the lives and histories of important men and women. Some might hope that the experiences and insights of a personal essay might unveil a small truth about the human condition, might teach us about ourselves. Some of us might just be busybodies, looking for a socially acceptable way to peek deeply into a stranger’s life. If you fit into any of these categories, you must meet Dear Sugar, the ultimate advice columnist for lovers of memoirs. Tiny Beautiful Things is a collection of her works, interspersed with Q&As from Sugar herself. The columns were written anonymously, but with an amount of personal detail that no advice column has ever seen before. In a gracious, sassy, poetic and maternal voice, Sugar shares her own raw personal accounts . . . She runs a highlighter over the breathtaking aspects of mundane tasks, from wedding planning to the day-to-day duties of raising small children. By the last page of the book, which will likely be a bit wrinkled with tear stains by the time you’re through, you may know more about Sugar than you know about your closest friends.�. . .Though many of the letters she receives contain ugliness and woe, she weaves them together into a story that is unexpectedly beautiful and impossibly warm. There’s no shortage of conversations on love and sex, but we words also go beyond that. . . . There’s something worth quoting on almost every page. . . . Eloquent . . . Generous.”�—Kara Zuaro, Biogrophile�

“In this collection of her columns, Strayed proves herself to be an astute amateur psychologist, as well as a compassionate, thoughtful and occasionally tough counselor. As with all personal advice columns, the questions that readers pose to Sugar are at least as intriguing as the answers. Strayed . . . uses her own foibles and misdemeanors to show that ‘we all suffer, we all fail, we all struggle and triumph and struggle again.’” —Cynthia Crossen, The Wall Street Journal�

“Strayed has a special talent for glimmering, golden turns of phrase that seem to hold all the promise and hope in the world—they’re Bible verses for a secular audience—but these are not the sort of mottos that you’ll find on, say, motivational posters on Pintrest. . . . Most remarkable has been Strayed’s willingness to use her own story, to revisit her most hopeless, fumbling moments—from drug use to infidelity—in answering readers’ questions. . . . The magic is in these unexpected connections, her ability to make the specific universal. She refers to letter writers as ‘sweet pea’ and ‘honey bun,’ but never lets them off the hook. No matter how tragic their predicament, she exhorts them to be their ‘best, most gigantic self,’ that ‘every last one of us can do better than give up.’ It is tough, smart, real love.” —Tracy Clark-Flory, Salon�

“To say that Cheryl Strayed is an Internet advice columnist does not do her justice. Tiny Beautiful Things is a gob-smacking high, a brilliant reinvention of the Miss Lonelyhearts genre. . . . This collection of poignant insights into the complexities of the human heart offers a form of radical empathy and inspired compassion from a fellow traveler—one who not only feels the pain of others but leads them toward light and art.” —Elizabeth Taylor, The Chicago Tribune�

“The problem with advice columnists [was that] they were supposed to help you solve your problems, but they didn’t reveal much about their own lives, so it was hard to understand why you should trust them. Cheryl Strayed changed all that with Dear Sugar, a deeply personal advice column that’s earned a devoted following. Beautifully written . . . honest and forthright. . . �poignant and personal, unlike the string of clich�s other writers throw at readers. She proves real connection is still possible, even on the Internet, where everyone’s shouting to be heard. She delivers tough love, very gently. There’s a lesson in here for everyone, sweet peas. You just have to find yours. Grade: A” —Melissa Maerz, Entertainment Weekly�

“When I was younger, the Dear Ann and Dear Abby columns that ran in newspapers offered a fascinating look at other people's problems. Eventually, though, the advice coming from pseudonymous writers felt distanced and staid, especially compared to the next generation of advisers who staked out the alternative papers and web sites. . . . My current favorite, by far, is “Dear Sugar,” written by Cheryl Strayed. . . . Tiny Beautiful Things collects Strayed’s columns, and it perfectly captures why she has completely won me over. Strayed can be profane, but she offers sympathy, sound advice, gentleness and a surprising amount of confession.” —Vikas Turakhia, Cleveland Plain Dealer�

“A good psychoanalyst does two things: she listens, and she dissects. In Tiny Beautiful Things, Strayed does both adeptly. Sugar forces us to swallow sometimes painful realizations about what we want, who we are, and what we therefore must do—or, if not that, the choices we must make. She also lays bare the impossibility of controlling what isn’t ours to control. . . . The honesty is far more comforting than shallow promises would be. Sugar can handle what’s real in us. . . . If she can handle our treacherous secrets without disintegrating, maybe others will accept us in our entirety, too. Maybe we can accept ourselves. . . . Sugar seems to have had more experiences than any human we’ve ever met, like some sort of omniscient goddess. . . . These stories are not written for their own sake, but as a way to explain human complexity. The details of her past theft comes out as a means of empathizing with a writer ashamed of the same. Sugar describes her husband’s infidelity to help a fianc�e with a stark, black-and-white view of marriage consider nuance. This is the type of meaning-making any personal essayist or memoirist should aim for, of course—and, notably, Strayed is both—but it’s all the more explicit and obvious in an advice column. Strayed’s story is, in its way, a mirror. One of Strayed’s most vital messages—which her revelations of past lapses are meant to show—is that being a real, whole person means being imperfect. Sugar models this not only in her history, but in her letters, too. Once in a while, she falters. . . . Sugar is good enough, but not perfect. Which is exactly what she’s been trying to tell us all along.” —Jessica Gross, The Millions�

“Many of the pieces in Tiny Beautiful Things, which first appeared in the online literary magazine The Rumpus, have had robust first lives, circulated on the Internet by fans. In book form, the letters and Strayed’s responses take on greater meaning as an extended epistolary essay on the human condition—with its antsy spouses, frustrated parents and desperately indebted students—and also as a companion autobiography to Wild. Sugar’s technique is to share the thorniest, most indelible experiences from her life to help each letter writer work through his or her own, which makes Tiny Beautiful Things an odd, contradictory and moving invention: an anecdotal memoir—that most narcissistic of genres—whose every chapter is written lovingly and generously to someone else. . . . Sugar is sharp-witted, but she doesn’t do funny. She doesn’t do snarky. (This distinguishes her from, to state it conservatively, most of the Internet.) And Sugar doesn’t coddle. She especially doesn’t coddle writers. . . . Stillness pervades Strayed’s Dear Sugar columns, which profit from all the advantages of the Internet—its anonymous e-mail forms, endless terrain and capacity for comments and community building—but provide refuge from its white noise. It’s partly because of the emotional content of each letter and response, but also due to the inherent intimacy of the form. Direct address is as old as lyric poetry: it’s just I and you—and the rest of the world gets to listen in.” —Radhika Jones, Time Magazine�

“Strayed, in this collection of advice (some previously unpublished) for readers of her ‘Dear Sugar’ column on therumpus.net, chooses thought-provoking questions from her readers and listens deeply to their emotional content. In casually intimate prose and with literary grace, she creates moments of wise, compassionate insight in often startlingly personal miniature memoirs, cradling gentle but practical guidance with enough humor to cement Strayed’s presence as both a mentor and the most understanding of friends. Sugar can be tough and honest, but she’s never mean: in Sugar’s world, we all deserve love unconditionally, but also owe it to ourselves to be the best, most authentic selves we can be. For a regrounding in the beauty of what it means to be flawed and gorgeously human, for answers that feel real, Strayed’s caring essays offer surprisingly rich comfort.”� —Publishers Weekly�(starred review)

“This beloved Internet advice columnist, using the pseudonym Sugar, revealed herself in early 2012 to be the acclaimed novelist and memoirist Strayed. First appearing on the Rumpus�in 2010, her column ‘Dear Sugar’ quickly attracted a large and devoted following with its cut-to-the-quick aphorisms like ‘Write like a motherf*cker’ and ‘Be brave enough to break your own heart.’ This collection gathers up the best of Sugar, whose trademark is deeply felt and frank responses grounded in her own personal experience; in many ways, it is a portrait of Strayed herself. She answers queries on subjects ranging from professional jealousy to leaving a loved partner to coping with the death of a child. VERDICT: Part advice, part personal essay, these pieces grapple with life’s biggest questions. Beautifully written and genuinely wise, this book is full of heartache and love. Highly recommended.” — Molly McArdle, Library Journal (starred review)

“Strayed offers insight into the world of online advice through her collection of letters sent to ‘Dear Sugar,’ her once-anonymous column for the online magazine The Rumpus. Sugar’s Golden Rule—‘Trust Yourself’—pushes the author and her readers to embrace themselves and not be afraid of asking life’s complex questions. . . . Strayed’s practical advice mixes with abundant personal anecdotes in which she illustrates to the addressee the reasoning behind her counsel. Admittedly not versed in psychology, her responses are sensitive and comprehensive, and her self-reflection projects understanding and sympathy. . . . The author’s comforting yet stern writing style connects readers to each contributor’s plight and the subsequent response to their cry for help. Appealing to Dear Sugar fans and self-help seekers alike, this ‘collection of intimate exchanges between strangers’ demonstrates that wisdom doesn’t come only from age, but also from learning from the experiences of others. A realistic and poignant compilation of the intricacies of relationships.”�—Kirkus Reviews

“These pieces are nothing short of dynamite, the kind of remarkable, revelatory storytelling that makes young people want to become writers in the first place. Over here at the Salon offices, we're reading the columns with boxes of tissue and raised fists of solidarity, shaking our heads with awe and amusement.” —Sarah Hepola,�Salon

�“Sugar doesn't coddle her readers—she believes them, and hears the stories inside the story they think they want to tell. She manages astonishing levels of empathy without dissolving into sentiment, and sees problems before the reader can. Sugar doesn't promise to make anyone feel good, only that she understands a question well enough to answer it.” —Sasha Frere-Jones, The New Yorker critic

“Powerful and soulful, Tiny Beautiful Things is destined to become a classic of the form, the sort of book readers will carry around in purses and backpacks during difficult times as a token or talisman because of the radiant wisdom and depth within.” —Aimee Bender, author of The Particular Sadness of Lemon Cake

“[Sugar is] turning the advice column on its head.” —Jessica Francis Kane, author of The Report

“Sugar’s columns are easily the most beautiful thing I’ve read all year. They should be taught in schools and put on little slips of paper and dropped from airplanes, for all to read.” —Meakin Armstrong, Guernica editor

“Dear Sugar will save your soul. I belong to the Church of Sugar.” —Samantha Dunn, author of Failing Paris

“Charming, idiosyncratic, luminous, profane. . . . [Sugar] is remaking a genre that has existed, in more or less the same form, since well before Nathanael West’s Miss Lonelyhearts first put a face on the figure in 1933. . . . Her version of tough love ranges from hip-older-sister-loving to governess-stern. Sugar shines out amid the sea of fakeness.” —Ruth Franklin, The New Republic

About the Author
CHERYL STRAYED is the author of the #1�New York Times�best seller�Wild: From Lost to Found on the Pacific Crest Trail,�which was the first selection for Oprah's Book Club 2.0 and became an Oscar-nominated film starring Reese Witherspoon;Tiny Beautiful Things: Advice on Love and Life from Dear Sugar,�a national best seller now the basis of the WBUR podcast�Dear Sugar Radio,�co-hosted with Steve Almond; and�Torch,�her debut novel. Her books have been translated into forty languages, and her essays and other writings have appeared in numerous publications.

Excerpt. � Reprinted by permission. All rights reserved.

From the INTRODUCTION by Steve Almond



I Was Sugar Once: Lessons in Radical Empathy


Long ago, before there was a Sugar, there was Stephen Elliott. He had this idea for a website, which sounds pretty awful, I admit, except that his idea was really to build an online community around literature, called The Rumpus. Being a writer himself, and therefore impoverished, Stephen prevailed upon his likewise impoverished writer friends to help.

And we, his friends, all said yes, because we love Stephen and because (if I may speak for the group) we were all desperate for a noble-seeming distraction. My contribution was an advice column, which I suggested we call Dear Sugar Butt, after the endearment Stephen and I had taken to using in our email correspondence. I will not belabor the goofy homoeroticism that would lead to such an endearment. It will be enough to note that Dear Sugar Butt was shortened, mercifully, to Dear Sugar.

Handing yourself a job as an advice columnist is a pretty arrogant thing to do, which is par for my particular course. But I justified it by supposing that I could create a different sort of advice column, both irreverent and brutally honest. The design flaw was that I conceived of Sugar as a persona, a woman with a troubled past and a slightly reckless tongue.

And while there were moments when she felt real to me, when I could feel myself locking into the pain of my correspondents, more often I faked it, making do with wit where my heart failed me. After a year of dashing off columns, I quit.

And that might have been the end of Sugar had I not, around this time, come across a nonfiction piece by Cheryl Strayed. I knew Cheryl as the author of a gorgeous and wrenching novel called Torch. But reading this essay, a searing recollection of infidelity and mourning, filled me with a tingling hunch. I wrote to ask if she wanted to take over as Sugar.

It was an insane request. Like me, Cheryl had two small kids at home, a mountain of debt, and no regular academic gig. The last thing she needed was an online advice column for which she would be paid nothing. Of course, I did have an ace in the hole: Cheryl had written the one and only fan letter I’d received as Sugar.

***

The column that launched Sugar as a phenomenon was writ- ten in response to what would have been, for anyone else, a throwaway letter. Dear Sugar, wrote a presumably young man. WTF, WTF, WTF? I’m asking this question as it applies to everything every day. Cheryl’s reply began as follows:


Dear WTF,

My father’s father made me jack him off when I was three and four and five. I wasn’t any good at it. My hands were too small and I couldn’t get the rhythm right and I didn’t understand what I was doing. I only knew I didn’t want to do it. Knew that it made me feel miserable and anxious in a way so sickeningly particular that I can feel that same particular sickness rising this very minute in my throat.


It was an absolutely unprecedented moment. Advice columnists, after all, adhere to an unspoken code: focus on the letter writer, dispense the necessary bromides, make it all seem bearable. Disclosing your own sexual assault is not part of the code.

But Cheryl wasn’t just trying to shock some callow kid into greater compassion. She was announcing the nature of her mission as Sugar. Inexplicable sorrows await all of us. That was her essential point. Life isn’t some narcissistic game you play online. It all matters—every sin, every regret, every affliction. As proof, she offered an account of her own struggle to reckon with a cruelty she’d absorbed before she was old enough even to understand it. Ask better questions, sweet pea, she concluded, with great gentleness. The fuck is your life. Answer it.

Like a lot of folks, I read the piece with tears in my eyes— which is how one reads Sugar. This wasn’t some pro forma kibitzer, sifting through a stack of modern anxieties. She was a real human being laying herself bare, fearlessly, that we might come to understand the nature of our own predicaments.

***

I happen to believe that America is dying of loneliness, that we, as a people, have bought into the false dream of convenience, and turned away from a deep engagement with our internal lives—those fountains of inconvenient feeling—and toward the frantic enticements of what our friends in the Greed Business call the Free Market.

We’re hurtling through time and space and information faster and faster, seeking that network connection. But at the same time we’re falling away from our families and our neighbors and ourselves. We ego-surf and update our status and brush up on which celebrities are ruining themselves, and how. But the cure won’t stick.

And this, I think, is why Sugar has become so important to so many people. Because she’s offering something almost unheard of in our culture: radical empathy. People come to her in real pain and she ministers to them, by telling stories about her own life, the particular ways in which she’s felt thwarted and lost, and how she got found again. She is able to transmute the raw material of the self-help aisle into genuine literature.

I think here of the response she offered a man wrecked by his son’s death, who asked her how he might become human again. “The strange and painful truth is that I’m a better person because I lost my mom young,” she wrote. “When you say you experience my writing as sacred what you are touching is the divine place within me that is my mother. Sugar is the temple I built in my obliterated place.”

In this sense, Tiny Beautiful Things can be read as a kind of ad hoc memoir. But it’s a memoir with an agenda. With great patience, and eloquence, she assures her readers that within the chaos of our shame and disappointment and rage there is meaning, and within that meaning is the possibility of rescue.

***

Most helpful customer reviews

5 of 5 people found the following review helpful.
One of the best books I've ever read.
By Courtney Mal
I first bought (and read) Tiny Beautiful Things when I was at a low point in my life. Two days before, I found out that the company I loved working for and the job that I was flourishing at were closing. I spent two days in bed crying and finally picked up my kindle to distract my mind. I had never read or heard of Dear Sugar or Cheryl Strayed (before Wild at least). I read it through twice without putting the book down. I laughed, I cried, I found something that resonated in parts of me that had gone cold. I can't even start to tell you how much this book meant and continues to mean to me. Through the worst times of my life, I constantly turn back to this book. Sugar is sweet, nonjudgmental, understanding, and most of all, not afraid to tell it like it is. She's the best friend I wish I had in my ear to help me through some of the trials of life. The book is such a wonderful combination of advice, memoir, humor, and tell it like it is advice. It's hilarious, sad, and most of all honest. You can tell she's spent hours mulling over every piece of advice that she gives. It's cut through the bulls*** honest. It's what so many young adults (and many others) need to hear. I've bought this book for so many people since. It's that book that you know will touch people. I would recommend this from the top of the tallest building in the world. If you're debating reading this, just stop. Stop and go read it now. It's a quick and moving read. Just do it, you won't regret it.

3 of 3 people found the following review helpful.
Wise beyond anything I've ever touched
By L. A. Carmichael
After two and a half decades of reading books, I've decided this is my favorite book.

Heart-rending, heart-empowering, exquisitely written, wise beyond anything I've ever touched. I can't stop coming back to it, and though sometimes it leaves me raw, I never regret re-reading a chapter here and there. I'm fiercely grateful for it.

This book won't crack you open. It shows you the beauty in brokenness, hands you a hammer, and you'll crack yourself open. To shine a light in dark painful places. To see the pain as possibility, as seeds. To till the soil of yourself and to earn every sprout, every leaf, every root. To nourish that struggle with all the tiny beautiful things we deny ourselves, for all the wrong reasons, and some of the right reasons, too.

1 of 1 people found the following review helpful.
Peace and Calm of Heart
By Faye Lepain
I love this book and Cheryl Strayed. She speaks from the heart and with such a knowledge of "common sense". I could relate to some of the stories told in this book, cried and laughed, but when I finished I had such a "calm" in my heart that is difficult to explain. Cheryl had been through so much as a young adult but this seems to have made her into the woman she is today. When people tell you about their experiences and try to tell you there are two paths to go down to reach your destination,listen to them, they have been there and learned and they are here to help you not make the same mistakes. I am blessed to have known Cheryl Strayed, through her books, in my senior years of life. Cheryl,your mother is proud!

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Jumat, 24 September 2010

[C218.Ebook] Download Nurse Anesthesia Pocket Guide: A Resource for Students and Clinicians, by Lynn Fitzgerald Macksey

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Nurse Anesthesia Pocket Guide: A Resource for Students and Clinicians, by Lynn Fitzgerald Macksey

Nurse Anesthesia Pocket Guide: A Resource for Students and Clinicians, Third Edition provides easy-to-use and concise information that nurse anesthetists working in the operating room need to know. It includes general anesthesia principles, obstetrics, pediatrics, regional anesthesia, and medication charts. Completely updated and revised, the Third Edition provides additional information on anesthetic complications, intraoperative monitoring, expanded content on positioning ramifications and nerve injury, an updated pharmacology chapter, new peripheral nerve blocks, and additional math and pulmonary/cardiac formulas.

  • Sales Rank: #688442 in Books
  • Brand: Macksey Lynn Fitzgerald
  • Published on: 2016-12-28
  • Original language: English
  • Dimensions: 5.40" h x 1.30" w x 4.20" l,
  • Binding: Spiral-bound
  • 408 pages
Features
  • Nurse Anesthesia Pocket Guide

Most helpful customer reviews

0 of 0 people found the following review helpful.
MUST HAVE!
By VP
Incredible resource!!! This is exactly what I've been looking for - an easy to read, quick reference guide that covers all the details of providing anesthesia. I am halfway through my CRNA program, and find myself referring to this book more and more. Even completing care plans is so much easier with all the important summary notes on positioning/pharmacology/surgeries. Very thorough, and truly worth it!!

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Minggu, 19 September 2010

[G894.Ebook] PDF Ebook The Art of Teaching, by Jay Parini

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The Art of Teaching, by Jay Parini

Becoming an effective teacher can be quite painful and exhausting, taking years of trial and error. In The Art of Teaching, writer and critic Jay Parini looks back over his own decades of trials, errors, and triumphs, in an intimate memoir that brims with humor, encouragement, and hard-won wisdom about the teacher's craft.
Here is a godsend for instructors of all levels, offering valuable insight into the many challenges that educators face, from establishing a persona in the classroom, to fostering relationships with students, to balancing teaching load with academic writing and research. Insight abounds. Parini shows, for instance, that there is nothing natural about teaching. The classroom is a form of theater, and the teacher must play various roles. A good teacher may look natural, but that's the product of endless practice. The book also considers such topics as the manner of dress that teachers adopt (and what this says about them as teachers), the delicate question of politics in the classroom, the untapped value of emeritus professors, and the vital importance of a settled, disciplined life for a teacher and a writer. Parini grounds all of this in personal stories of his own career in the academy, tracing his path from unfocused student--a self-confessed "tough nut to crack"--to passionate writer, scholar, and teacher, one who frankly admits making many mistakes over the years.
Every year, thousands of newly minted college teachers embark on their careers, most with scant training in their chosen profession. The Art of Teaching is a perfect book for these young educators as well as anyone who wants to learn more about this difficult but rewarding profession.

  • Sales Rank: #828416 in Books
  • Published on: 2005-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.20" h x .80" w x 7.10" l, .80 pounds
  • Binding: Hardcover
  • 176 pages

From Publishers Weekly
A prolific poet, novelist, biographer and critic, Parini (One Matchless Time: A Biography of William Faulkner) has also taught throughout his career. He offers fresh musings about teaching's demands and what it takes to not lose one's other, creative self while meeting those demands in this memoir-cum-advice book for novice instructors. The classroom, Parini writes, is "a form of theater" in which the teacher plays "wise man, fool, tempter, coach, comforter, and confessor." Parini charts his somewhat bumpy road to the lectern and his own self-education as a poet, and suggests that intellectual hunger coupled with an ability to hold people's attention is crucial to a teaching identity. Parini admits to being almost swallowed by the "publish or perish" monster that haunts university educators on the tenure track, and notes that writing creatively while teaching academically is a struggle, though he has found fodder amid a busy schedule of lecturing, grading, "husbanding," parenting and living. He meditates on classroom dress code and office hours ("Once in a while, a student actually comes into my office with a question related to a course"), on conducting seminars and voicing political beliefs. Free of the usual complaints of systemic educational problems—perhaps because Parini teaches at a liberal arts college rather than a public high school—this warm guide should inform, entertain, and inspire young teachers as they seek to "waken a student to his or her potential."
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Over the course of three decades, not only has Parini written poetry, novels, essays, and major biographies of John Steinbeck, Robert Frost, and William Faulkner but he has also taught college English. He now shares his hard-earned insights into the writing life and the teaching profession in an educational memoir. Parini sees teaching as a creative endeavor that resembles theater in its immediacy, trepidation, and exhilaration. But he also felicitously compares teaching to writing, thus illuminating both disciplines in a fresh and vital manner that will speak to every lover of literature. The first link between the two arts is the need to "invent and cultivate a voice," Parini avers, a process that takes time and experimentation, so that each class is "as an act of revision." Practical and philosophical, ardent and lucid, Parini covers the nitty-gritty of teaching, explains how writing is nurtured by teaching and vice versa, and discusses why teaching students to think critically not only about books but also about the world around them is so very crucial. Donna Seaman
Copyright � American Library Association. All rights reserved

Review

"This warm guide should inform, entertain, and inspire young teachers as they seek to 'waken a student to his or her potential.'"--Publishers Weekly


"A charming reflection on 30 years devoted to learning.... Parini offers a number of tips in a manner that is decidedly laid back, friendly and casual--in much the same way, one surmises, that he teaches his own classes."--Los Angeles Times Book Review


"To read one of these short essays is like taking a walk with a genial, generous and intelligent teacher who speaks fluently and kindly. The book probably ought to be considered as a sequence of such walks, designed to bring pleasure and some profit, too, to all, but particularly to young teachers entering the field."--Washington Post Book World


"What he writes about teaching will be of keen interest to all educators, especially young ones just finding their way in the profession.... Parini has thought deeply about all aspects of teaching, and readers will appreciate his insights on such sundry topics as assessment (he believes teaching to the test is 'anti-educational'); dress (it reflects one's teaching style); and the hiring of new colleagues (people you have to be prepared to work with for the next 20 years). Parini's book may not change the way you teach, but it may make you think more deeply about education than you ever have before."--Education Week


"[A] combination memoir and advice book, the tale of a shy, working-class kid from Scranton, Pa., who gradually discovered that he loved to read and write, and that he was happiest when he could pass along that love to young students.... When he zeroes in on the passions that animate good teachers, and the nuts and bolts of running a lecture course or a seminar, the book takes wing."--William Grimes, The New York Times


"Parini, an English professor at Middlebury College, shares his quiet wisdom on guiding students toward the pleasures of critical thinking. Equal parts memoir, essay, and practical advice, Parini's handbook for the writer who teaches is a gentle, elegant tribute to those who turn the life of the mind into a performance art."--Utne Reader


"Practical and philosophical, ardent and lucid, Parini covers the nitty-gritty of teaching, explains how writing is nurtured by teaching and vice versa, and discusses why teaching students to think critically not only about books but also about the world around them is so very crucial."--Booklist


"One pleasing aspect of The Art of Teaching is Parini's candor about professorial anxiety, similar to the stage fright that afflicts some longtime actors."--Philadelphia Inquirer


"Writes with economy, clarity and passion. He argues that part of a professor's work is to challenge students' assumptions. He has done the same for readers with this good book."--The Charlotte Observer


"An eloquent and humane vision of our most vital human resource--teaching and its role in our civilization. Written with a poet's elegance, The Art of Teaching is part memoir and part personal and practical reflection on what it means to be in the classroom with students. A seasoned teacher and writer, Parini gives us a remembrance of great teachers who changed his life and of how writing and scholarship come together to make teaching better and richer. This book is also a reflection on the dynamic relationship between teachers and students, academic colleagues old and young and the important community they all create when they come together on a college campus. In an age when the pursuit of money and the God of materialism threatens to swallow America whole, Parini reminds us that the intellectual and human values that happen in the classroom are our most important preparation for life." --Peter Balakian, author of Black Dog of Fate


"Jay Parini, novelist, poet, biographer, and editor, has now given us an extremely readable and useful book about teaching, drawing upon his decades in the classroom on both sides of the desk. Aptly titled, The Art of Teaching is itself artful in its well-measured, outspoken, and entertaining look at a subject not enough explored and therefore the more welcome." ---William Pritchard, Professor of English at Amherst College, and author of Shelf Life: Literary Essays and Reviews


"In discussing his own lecturing, Isaiah Berlin said he was 'fumbling for the light switch in a very large but very dark room.' Parini switches on lights, and if he does not make all the darkness visible, he illuminates much of the mystery of teaching and shows us all how to do better. Parini is a fine writer and a superb teacher. He blends inspiration with practical advice--describing, for example, the classroom as theater. Jettison all those heavy volumes on methodology and read this small book. Read with a pencil and mull, and you will become a better teacher, and maybe a better person. What a friend teachers have in Parini!" --Sam Pickering, author of Waltzing the Magpies and The Best of Pickering


Most helpful customer reviews

27 of 28 people found the following review helpful.
The Art of Teaching
By Dee
Becoming a teacher takes years of exhausting, painful trial and error. Deserving a four star rating, Jay Parini's book The Art of Teaching looks back over his years in the academic field. This beautifully written book is full of essays on everything from the first day of class, to the day of commencement. Parini looks at every issue a teacher might face in the classroom from the teacher's persona, to the teacher's relationships with the students and colleagues. He writes about trying to balance a teaching life and a life of research and writing.

Parini uses the word "teacher," although he really should say "professor" because the book is about his life at the college level. His life in the early years of teaching and all the struggles he ensued learning the ropes and climbing the ladder to tenure.

Although this book is written for the teacher at the college level, anyone in the teaching field will come away with some useful insight. This book has great quotes like "There is always a fresh start, with new students, new colleagues, new courses even old colleagues somehow look new in September." In my experience in the teaching field this is so very true.

Reading this book made me think of teachers from my past. We as teachers draw from our past experiences. This helps us to become better teachers. That is what Parini did. He put some of those experiences down on paper so we could all learn. Although, this book is about teaching at the college level I did come away with some very good insight on teaching from the heart. I would recommend this book to anyone in the teaching field.

4 of 4 people found the following review helpful.
You'll enjoy this book and benefit from it
By Jordan Bell
I can't imagine a teacher who wouldn't benefit from reading this book. Parini's writing is easy to read and he uses words skillfully. He doesn't write like a social scientist who wants to sound serious without having much to say ("A number of factors have been identified as contributing to the differences..." is a quote from a memorably poorly written book I skimmed recently). Instead he says specific things in a way that is pleasant to read.

This book is also a model of a brief professional biography. Parini doesn't tell us about meeting his wife or much about his parents, and takes us through all his experience with schooling from elementary school to his second teaching job in a remarkably short space.

Parini talks about too many things for me to try to give a table of contents of the book, but there are three ideas that I found especially important. The first is that you must construct your identity as a teacher, and when you teach you must choose a mask to wear. Teaching is not a natural activity and it is a harmful romantic idea to try to find your authentic self. And this is especially important for teachers because they have to help students learn different disciplines ("arts", things that are not natural, unlike defecating and drinking water), and if they give students the idea that mathematics or music or acting or writing should be as natural as breathing, the student will lose heart and give up when they see that it is not natural for them. "One must get over the foolish notion that a mask is not 'authentic,' that there is something shameful about 'not being yourself.' Authenticity is, ultimately, a construction, something invented- much as a particular suit of clothes will feel authentic, or inauthentic, given the context. The notion of the 'true' self is romantic, and utterly false."

The second idea I want to mention is that a good teacher is a perpetual student, someone who is fascinated by things and likes learning about them. I think a teacher who learns a subject just enough to qualify to teach it and then turns aside from continued learning can be at best mediocre at teaching, no matter how energetic they are about presenting. Someone who loves ideas doesn't make lists of "the five causes of x", or "the six types of y". These are standardized methods to get students to write things down on paper and then forget them, because no one except committees of textbook writers ever cared about these lists. And teaching a subject helps you to clarify your ideas about it. This is the great connection between scholarship and teaching.

The third idea of Parini's I want to mention is his preference for one on one teaching or small group seminars over lecturing. I think that the future of higher education is to have videos of lectures by truly excellent lecturers. If there is to be continued employment of teachers in higher education, I think it will and should be as tutors (in the British not the North American sense).

3 of 3 people found the following review helpful.
A Tiny Book Packed with Wisdom about Teaching
By Timothy P. Koerner
Here's a little (so small it'll almost fit into one's pocket) book on a rarely written about topic: college teaching. It is part autobiographical and part what-to-do/what-not-to-do and is beautifully written, not surprising as the author is a creative writing and literature professor.

Jay Parini's THE ART OF TEACHING will proably have its greatest appeal to English and Humanities teachers/professors. But anyone who has ever taught or aspires to teach at any level can enjoy and benefit from it. The author professes at a small liberal arts college in New England but earlier spent quite a number of years as student and teacher in England, thus adding greater perspecitve to his subject.

The book's orientation is both philosophical and practical. We read about what a professor's primary focus and prime functions ought to be and how he or she should teach, but there are also specific suggestions about such matters as office hours, lecturing, and conducting seminars.

A former teacher, I enjoyed Mr. Parini's book immensely and recommend it enthusiastically. I can't resist mentioning a few of my favorite sentences from the book: "There is always a fresh start." (p.1) "It's always possible to do a better job the next time around." (p. 7) "Few outside the teaching profession understand the courage it takes to step into a classroom..." (p. 68)

The author is a poet and has written biographies of John Steinbeck and Robert Frost among other works. His profile of Frost in the book and my admiration for Steinbeck's writing means that I now have two additional titles for my "books to read" list.
Tim Koerner January 2011

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[L915.Ebook] Download BTU Buddy Notebook, by Bill Johnson

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BTU Buddy Notebook, by Bill Johnson

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BTU Buddy Notebook, by Bill Johnson

The BTU Buddy Notebook is a collection of more than 50 unique service call scenarios conducted by an HVAC technician which describe real-life service scenarios related to troubleshooting. Many high quality images help to illustrate troubleshooting techniques and the equipment being serviced.

  • Sales Rank: #1481687 in Books
  • Brand: Brand: Delmar Learning
  • Published on: 2008-07-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 7.50" w x .50" l, .95 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review
COOLING SEASON. Introduction. Service Call 1. Servicing A Frozen Suction Line and Compressor. Service Call 2. Charging an Expansion Valve System after Loss of Charge. Service Call 3. Charging a Fixed Bore System with a Fixed Bore Office. Service Call 4. Cleaning a Very Dirty Air Cooled Condenser. Service Call 5. A Conversation about Vacuum Procedures. Service Call 6. Removing Water from a Wet Heat Pump. Service Call 7. Changing a Badly Burned Compressor. Service Call 8. Burned Four-Way Valve Coil on a Heat Pump. Service Call 9. Discovering Reduced Airflow in the Ducts. Service Call 10. Fixing a Chronic Leaking Residential A/C Unit. Service Call 11. Quickly Cooling a Hot Hermetic Compressor. Service Call 12. Troubleshooting a Water-Cooled Condenser. Service Call 13. Examining a Cooling Tower Problem. Service Call 14. Compressor with Refrigerant Flooding Back. Service Call 15. Compressor with Low Oil Level. Service Call 16. A Training Lunch with BTU Buddy. Service Call 17. A Compressor with Internal Leak. Service Call 18. A Stopped Up Condensate Line. Service Call 19. Outdoor Unit with Restricted Airflow. Service Call 20. Repairing a Restricted Liquid Line. Service Call 21. High-Efficiency Cooling in Mild Weather. Service Call 22. Frozen Evaporator on a 15-Ton Cooling Unit. Service Call 23. High Head Pressure, Air in the System. Service Call 24. Stopped Up Condensate Line. Service Call 25. 50-Ton System with a Defective Solenoid Valve. Service Call 26. Reciprocating Chiller with Fouled Condenser Tubes. Service Call 27. Topping Off the Charge for a Fixed Bore Metering Device System. Service Call 28. Topping Off the Charge for a TXV System. Service Call 29. Helping on a 100o F Day. Service Call 30. A Cooling Tower Starved for Water. Service Call 31. Evacuation Leak. HEATING SEASON. Service Call 32. Working with a Gas Furnace that is Down Drafting. Service Call 33. Handling an Over-Fired Boiler. Service Call 34. Tackling Low Airflow with Electric Heat. Service Call 35. A Lunch Seminar with Bob and BTU Buddy. Service Call 36. A Problem of House Windows Sweating. Service Call 37. Finding Excess Heat Exchanger Scale. Service Call 38. Handling a Frozen Outdoor Coil on a Heat Pump. Service Call 39. Looking at a Heat Pump Drawing a Lot of Current. Service Call 40. Changing a Four-Way Valve on a Heat Pump. Service Call 41. Checking a Heat Pump with Dirty Indoor Coil. Service Call 42. A Heat Pump Blowing Cold Air. Service Call 43. Carbon Monoxide Problem with Gas Furnace. Service Call 44. Frozen Heat Pump Outdoor Coil. Service Call 45. Burned Transformer Due to Shorted Coin in Relay. Service Call 46. Handling a Stopped Up Oil Filter. Service Call 47. A Smoking Oil Furnace. Service Call 48. Grounded Electric Heat Coil Causes Fan to Run. Service Call 49. Air in a Hot Water Heating System. Service Call 50. How Air Gets Into a Hot Water Heating System. Service Call 51. Stolen Outdoor Unit for a Heat Pump. Service Call 52. Grounded Compressor Motor. Service Call 53. Grounded Compressor Motor (Continued). Service Call 54. Heat Pump with a Stuck Check Valve. Service Call 55. An Oil Furnace with Sooted Electrodes. Service Call 56. Smelly Gas Furnace. Service Call 57. Luncheon About Flue Vents. Service Call 58. Combustion Air for a Gas Furnace.

About the Author
Now retired, Bill Johnson has taught heating, air conditioning, and refrigeration for more than two decades in various technical colleges and factory schools. A graduate of Southern Technical Institute, a branch of Georgia Tech in Atlanta, Georgia, he has also served as Service Manager for a major manufacturer for six years. Mr. Johnson owned his own HVAC/R business for 10 years and has been a member of the Refrigeration Service Engineers Society and the American Society of Heating Refrigerating Air Conditioning Engineers. His authoring credits include three major textbooks on the market today as well as their ancillary materials. He also writes a monthly article -- BTU Buddy -- that is available online.

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0 of 0 people found the following review helpful.
Brilliant!!
By Wren Connolly
Great teaching method. You're not overwhelmed with technical jargon but rather your diagnosis and resolution of a mechanical problem are ingeniously presented and analyzed.

0 of 0 people found the following review helpful.
educational in a weird way
By tipoblanco
its a little odd reading,but its educational in an odd way,it makes it easy to understand in sort of a childlike way,i guess in a level you can comprehend,and its o.k.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Very good delivered as described

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Kamis, 16 September 2010

[X861.Ebook] Ebook Urban Spacemen and Wayfaring Strangers: Overlooked Innovators and Eccentric Visionaries of '60s Rock, by Richie Unterberger

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Urban Spacemen and Wayfaring Strangers: Overlooked Innovators and Eccentric Visionaries of '60s Rock, by Richie Unterberger

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Urban Spacemen and Wayfaring Strangers: Overlooked Innovators and Eccentric Visionaries of '60s Rock, by Richie Unterberger

(Book). This book explores the evolution of 19 intriguing artists bred by the unique 1960s music scene, and traces the musical and cultural threads that gave birth to their electrifying innovations. From folk-rockers to blue- and brown-eyed soulsters to rock satirists and beyond, acclaimed rock author Unterberger uncovers the lives and music of the key visionaries in a mesmerizing decade, including: The Pretty Things, Tim Buckley, Arthur Brown, The Fugs, Bobby Fuller, The Bonzo Dog Band, Fred Neil, The Beau Brummels and many more. Includes cool photos throughout, and audio samples highlighting the sounds of some of the featured artists. "Comprehensive and engaging. Clearly, Unterberger has done his research." Billboard

  • Sales Rank: #1021491 in Books
  • Model: 1048373
  • Published on: 2000-10-30
  • Released on: 2000-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .83" w x 6.00" l, 1.16 pounds
  • Binding: Paperback
  • 295 pages

From the Publisher
Praise for Richie Unterberger’s Unknown Legends of Rock ‘n’ Roll:

"Comprehensive and engaging…. Clearly, Unterberger has done his research." --Billboard

"Incisive appreciations of scores of cult artists…" --Mojo

"Unterberger uncovers the kind of tiny details that imbue his subjects with life and sound." --San Francisco Weekly

"Thorough research yielding fascinating mini-biographies of hipster heroes." --Los Angeles New Times

"Succeeds in making you crave to hear the recordings of these fascinating musicians." --CMJ New Music Monthly

From the Inside Flap
Urban Spacemen and Wayfaring Strangers takes you inside the minds and music of ’60s rockers who took chances in the name of art. Blending firsthand interviews with musical critiques, these in-depth profiles tell the stories of visionary musicians who never got their due--and perhaps never cared to.

These underrated artists range from pop acts who aspired only to AM radio fame, to rebel bands whose very names kept them off the air, to groups who flirted with stardom but never made the grade. You’ll meet British Invasion innovators, psychedelic trailblazers, rock satirists, blue-eyed soulsters, folk-rockers, and others who helped make the ’60s the revolution that it was.

About the Author
Richie Unterberger is an established music journalist & frequent contributor to the" All Music Guide", "MOJO", and "Record Collector"

Most helpful customer reviews

12 of 12 people found the following review helpful.
The Other Side of the 1960's
By Pamela Rose
This could be considered a follow up to "Unknown Legends of Rock 'n 'Roll" but this volume is more devoted to the British and American performers of the 1960's that stayed around the fringes of success. And the only reason I rated this a 4 is that I wished it had been 400 plus pages like "Unknown..."

Again, Unterberger has that approach where he seeks out the artist(s). In many cases, because alot of 60's bands are discussed, he got viewpoints from 2 - 3 members, which broadens the story. There aren't quite as many black and white photos in this book but the chapters are longer. Only about 20 artists are profiled but these names may ring bigger bells... The Beau Brummels, The Electric Prunes and the Pretty Things... to name a few.

This parallels Unterberger's previous book, in that he looks at these innovative groups at the height of their potential, yet because of choices made, accident, death, politics, lack of promotion, distribution or sheer arrogance, one or two hits was all the world heard. Most of these people at that time still kept making music - it was just never heard beyond a certain area.

To help with hearing these sounds now, Unterberger has at the end of each chapter "Recommended Recordings", which are mini reviews in themselves as he lists records and/or CDs that are readily available or may be very hard to get.

A compact disc is found at the back of the book with notes devoted especially to the tracks. This, however, is not as expansive as the disc found in "Unknown..."

In the chapter about Arthur Brown (Crazy World of) I was surprised that his work with The Alan Parson's Project went unmentioned. His vocal on "Tales of Mystery and Imagination Edgar Allen Poe", specifically, "The Tell-Tale Heart" is very dramatic in showing off his dynamics and range.

Yet that chapter is one of the more personable ones in the book, as the author describes meeting Arthur Brown at the train station, learning of the death of Screaming Lord Sutch, and having a small tea together.

There is alot more to music than the Top 40 or Hot 100 - no matter what year it is. This book relates that struggle for many artists of the 1960's; that having the talent to create sometimes meant more than having that hit. Sometimes having that hit was the beginning of the end of the bands's careers.

Ritchie Unterberger approaches each artist with sincerity and this is felt in reading about what happens or didn't happen. Also to add perspective, he tells what the artists are doing now in music - or not in music. Again, this is an enjoyable reference book he has created and a serious rock music library should not be without it.

0 of 0 people found the following review helpful.
GREAT FUN
By Mr. Wayne Olsen
Fun to read and re-read. Accurate and loving biographies of some great "off the beaten track" rock and roll bands. Highly recommended.

14 of 17 people found the following review helpful.
John's Review
By John A. Alfano
Richie has pulled it off once again! On the heels of his "Unknown Legends of Rock N' Roll" he's created an essential publication for any fan of 60s rock n' roll history. From obscure groups like the Poets and Rationals to more well-known artists like the Beau Brummels and Bobby Fuller he provides the reader with a reading laced with personal interviews that highlight the ups and downs of the music business in the 1960s. A 6 track CD is included which features a fantastic live performance of the Electric Prunes' "I Had Too Much To Dream Last Night", which without the studio-produced effects of the hit single make it almost a different tune. In fact, maybe a better one. Here's hoping Richie is starting on another similar venture because this stuff is down right addictive.

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